Drive a Maruti,
a Ford or a Honda, but you've still got to find a way to drive the frustration
of traffic away. We tell you which entry-level hi-fi car audio system you
should buy and, more importantly why.
Old habits die hard and the inexpensive, capable cassette player is far
from dead. Though the compact disc (CD), digital versatile disc (DVD), and
the recordable Mini disc are the future, the humble cassette is still the
most practical and usable system of transporting recorded sound today.
In the early 50s a young doctor at MIT selected a music system based
on the specifications of the components alone. However what seemed an excellent
choice on paper left much to be desired when he got around to listening
to the system. Sorely disappointed, the young doctor of engineering decided
to do something about it and founded a corporation dedicated to improving
the quality of recorded sound. The young man was Dr Amar Bose and the rest
as they say is history. What this amply illustrates is that though you can
tell a lot about a music system by looking at its specifications, ultimately
its net worth can only be measured by listening, measuring and comparing
it with its peers.
For our test we chose systems that fell within the Rs 10,000-13,000 range.
Each of the manufacturers were asked to pick out a tape and tuner head unit
along with a set of four speakers. So without much further ado...
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ALPINE
ALPINE TDM 7574E with
TLL 6920 TLL 1320 speakers
    
Alpine has always portrayed itself as a performance-based system manufacturer
- the Lamborghini of car audio! The 7574E forms part of Alpines new
range and it comes with a more organic and modern look, however
Alpines signature opaque frosted buttons remain. Finish is more solid
than slick, so also operation. The tape deck boasts the lowest wow and flutter
and the widest frequency response. Due to bass boost being at 30Hz, more
thump is delivered. It is a fun system that soon gets you in the party mood,
especially the low frequency response that had us listening to the punchier
tracks again and again. Bass is tight, clean and loud, making it the most
exciting system to listen to.
Data from Real Time Analyser also proved that the Alpine consistently pushed
out the most impressive values between 25 and 100Hz. Vocals and mid-range
were also amongst the cleanest, though highs were not as detailed and separated
as some of the competition, especially the JVC. Definitely the one if you
want excitement but the most expensive.
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| SPECIFICATIONS |
| Total
Price |
Rs.
12,850 |
 |
| Tape/Tuner
Model |
Jackson
CM148 |
 |
| Wow
& Flutter |
0.10%
dB |
 |
| Frequency
Response |
30Hz-15,000
Hz ± 3dB |
 |
| Signal
to Noise Ratio |
65dB
(stereo) |
 |
| Tone
Controls Bass |
±10dB
@ 100Hz |
 |
| Treble |
±10dB
@10kHz |
 |
| Max
Power |
35W
x 4 |
 |
| RMS
power |
13.5W
x 4 |
 |
| Speakers
(rear) |
TX-3961 |
 |
| Type/size |
3-way
6x9 |
 |
| Frequecy
Response |
30Hz-25,000Hz |
 |
| Power
Handling |
150W |
 |
| Sensivity |
92dB |
 |
| Speakers(front) |
AL-100 |
| - |
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BLAUPUNKT
Jackson CM 148 with TX 3691 and Al 100 speakers
   
Manufactured and owned by Bosch, Blaupunkt has made serious inroads into
our car audio market. Good products and an association with the made
in Germany tag gives it an edge. The Jackson does not have the twin-dial
and smiling face signature look, though the German finish and slick operation
of its buttons are a joy. Controls though are not logical at all, and we
had to hunt through the manual to find the tone and balance controls. The
deck has an extremely useful fade-in that increases the volume gradually
when you insert a cassette, preventing a sharp step up in volume. With 13.5W
RMS this system is the least powerful of the lot. While it delivered enough
punch and clarity to keep the music interesting at lower volumes, up the
volume and the clarity and sharpness disappear. The front speakers cannot
handle as much bass and you need to fade them out considerably. The Blaupunkts
mids and highs though sounded extremely natural and uncoloured and this
makes the Jackson a joy to listen to if youre not interested in listening
to your music really loud.
| Our
Choice |
|
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| SPECIFICATIONS |
| Company |
JVC |
 |
| Total
Price |
Rs.
11,430 |
 |
| Tape/Tuner
Model |
KS-F150 |
 |
| Wow
& Flutter |
0.15%
(WRMS) |
 |
| Frequency
Response |
50Hz-14,000
Hz ± 3dB |
 |
| Signal
to Noise Ratio |
52dB |
 |
| Tone
Controls Bass |
±10dB
@ 100Hz |
 |
| Treble |
±10dB
@ 10kHz |
 |
| Max
Power |
40W
x 4 |
 |
| RMS
power |
16W
x 4 |
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| Speakers
(rear) |
CS-V6930 |
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| Type/size |
3-way
(6x9) |
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| Frequecy
Response |
28Hz-27,000Hz |
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| Power
Handling |
120W |
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| Sensivity |
93dB |
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| Speakers(front) |
CS-V420 |
| - |
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JVC
JVC KS F 150 with CSV6930
and CSV420 speakers
    
The DESIGN and finish of Japan Victor Companys unit is exemplary.
The logical, soft-touch buttons function superbly, and controls and features
come easily to hand - easily has the best finish of this bunch.
The JVC was the most musical of the systems tested. It is crystal
clear and feels as if a layer of haze has lifted; turn off the music, the
difference is that perceptible.
Slot the cassette in and youll immediately be knocked over by highs
that are detailed, clean and crisp with an impressive amount of separation
between the vocals and each of the individual instruments.
Drive the JVC hard, even upto 100dB and still very little harshness is felt.
Bass though is on the lighter side and nowhere as punchy as the Alpine or
even the Sony.
Though the 16W per channel amp provides ample power, bass responses seem
limited by the frequency response of the tape player that dont go
below 50Hz! Despite this, the JVC manages to retain the title of the best
sounding system here, a winner despite any sizeable amount of punch from
the system. Whats more, its also got the friendliest price.
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KENWOOD
KENWOOD KRC 387 with KFC 1666
and KFC 1056 speakers
  
Kenwoods association with the McLaren Formula 1 team and its position
as OE supplier to Maruti means it is a brand that is well known. The KRC
387, the deck we tested, is a real looker with a blue digital display and
smart-looking buttons. Getting to grips with the Kenwood system though is
not easy as adjusting the bass treble controls requires a number of second
or even third guesses. Please do read the manual if you buy this one.
Kenwoods tape deck is impressively specified, with amongst the lowest
wow and flutter ratings of any of the decks here, save for the Alpine. It
also ranks amongst the most powerful amplifiers
and proved that it could stay with the pack as far as loudness and decibel
levels were concerned, reaching a peak of 94dB before any appreciable amount
of distortion set in. Separation
and detail were also impressive on the Kenwood with individual instruments
not getting muddled together. However what let the Kenwood down is that
the rear speakers were a touch underspecified. Thus bass responses were
not all that they could have been, and ended up being apologetically weak.
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| SPECIFICATIONS |
| Total
Price |
Rs.
13,415 |
 |
| Tape/Tuner
Model |
CQ-R155EW |
 |
| Wow
& Flutter |
0.12%
(WRMS) |
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| Frequency
Response |
35Hz-14,000
Hz |
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| Signal
to Noise Ratio |
52dB |
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| Tone
Controls Bass |
±12dB
@ 30Hz |
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| Treble |
±12dB
@10kHz |
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| Max
Power |
30W
x 4 |
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| RMS
power |
15W
x 4(DIN 45 324) |
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| Speakers
(rear) |
EAK-H958 |
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| Type/size |
2-way
(6x9) |
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| Frequecy
Response |
40Hz-20,000Hz |
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| Power
Handling |
130W |
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| Sensivity |
93dB |
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| Speakers(front) |
RD-400 |
| - |
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PANASONIC
PANASONIC CQ-R155EW with EAK H958 RD 400 speakers
  
Another typically confusing Japanese design, the faceplate of the Panasonic
looks like it has been designed by stirring up all the buttons and then
suddenly pressing pause! Controls are really confusing and we strongly advise
you dont try and figure them while on the road. Though the deck is
well- specked, the game for the Panasonic is well and truly lost in the
sound quality department. The frequency response is nothing to write home
about and signal to noise ratio is amongst the lowest. The amp is quite
beefy though with a 15W RMS rating. Though vocals and other mid-range signals
have a certain degree of clarity to them, theres not much else that
impressed us. Sound is very mid-range, biased and flat, and even making
judicious use of the tone controls has little effect on the flat sound.
Buy this one if you like to listen to music with a lot of vocals or string
instruments.
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SONY
SONY XR 1807 with XSGT693D
(no front speakers)
   
Easily the best known brand here, the 1807 though is not one of Sonys
newer designs. The forward, reverse and eject mechanisms are spring-loaded
and feel older than other designs here. Controls however are the easiest
to use and the large, simple LCD screen makes it easy to adjust the tone
and the balance.
One of the pioneers of cassette deck technology means the Sony easily keeps
pace with the leaders as far as the quality and clarity of sound are concerned.
There is a certain smoothness to the sound and mid-range performance is
exceptionally clean and clear, the best around, with treble highs not too
far behind. In addition, bass responses were tight and punchy though nowhere
as fun as the Alpine. The Sony even went louder than all but the JVC, rocking
hard and clean upto an impressive 96 decibels. Its definitely a Sony!
This deck cannot control a CD-changer, making an upgrade at a later date
almost impossible.
HOW
WE TESTED
Let's get one thing straight - this is a test to find the best sounding
system available within our budget. Stuff like aesthetics and finish,
though they play a role, definitely take a back seat to overall sound
quality. We hear through our ears and that's how the winners of this
test have been decided. However, aiding our ears and backing up what
we heard is a Real Time Analyser
or RTA. The Larson Davis System 824 is a combination of a sound level
meter and a real time analyser that can measure 48 sound pressure
parameters at once! the log system allows you to gather sound
pressure levels over any defined frequency and time so that a
real comparison can be made.
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